I am drawn to abstract noise, negative space, investigating spatial imbalance versus geometric harmony. The relationship between the subject and the observer is very important. Time is vital when dealing with paint removing techniques. I try to capture time and incorporate it in every step of my work. In this project I have tried to utilize space, dimension and distance in a way that creates a unique perspective for each piece – a subjective feeling – that at the same time can confirm a mutual atmosphere for all of them as a system. My inspiration comes from basic perspective principles based on the subject-observer relation as captured at momentum.